I know everyone talks about Brad Mehldau or Keith Jarrett being the top two honchos on jazz piano, but lemme tell ya, my money is on Fred Hersch. Like Tony Bennett, he may not put out hits, but twenty years…
Category: Reviews
The Who: Live in Texas ‘75
Come, grandson, and sit on my knee, and I’m going to tell you a story of a world gone by. When I was a child there was a thing called “rock and roll.” Now, I know that you and your…
Wahid: Road Poem
I missed oud player Dimitris Wahid when he toured the West Coast last year with percussionist Chrish Wabich. This collection of concert material shows that I, as well as probably you, missed a good night of sounds. The music here…
RJ and the Assignment: Deceiving Eyes
I’m not sure what the “RJ” stands for in his name, maybe “Really Judicious,” as this album by the pianist/keyboardist displays an impressive width and depth of modern jazz. Mostly in the context of a piano trio with a rotating…
Kelly McCarty3: Roux Steady
Bassist Kelly McCarty leads a tenor sax trio with John A. Diaz-Cortes/ts and A.J. Hall/dr through a collection of well thought out originals. Usually, a tenor-bass-drum trio can be a foreboding concept, as many a team has fallen into the…
Uptown Vocal Jazz Ensemble: Hustlin’ for a Gig
Consisting of Ginny Carr, Robert McBride, Andre Enceneat and Holly Shockey, the Uptown Vocal Jazz Ensemble comes off as a poor man’s Manhattan Transfer, which is not a bad idea, actually. Fronting a swinging ensemble that includes horns and rhythm,…
Anat Cohen: Claroscuro
Anat Cohen is one of my absolute favorite clarinet players, as well as being in the top 10 tenors around. Most of her releases are filled with exciting moments of swing with a mixture of rhythms from various parts of…
Mauricio Pessoa: Habitat
Here’s a gentle and unassuming release of Brazilian music by guitarist/vocalist Mauricio Pessoa. His soto voice is delicate and warm as he sings with a simpatico band that ranges from just a piano and bass (“Prisma”) to larger ensembles that…
Diana Krall: Glad Rag Doll
You’ve really got to admire Diana Krall. She could easily rest on her laurels and spend the rest of her life filling theatres and selling discs doing standards. Instead, she takes artistic changes like her album of originals a few…
SWR Big Band/Dresden Philharmonic: Live Rhapsody in Swing: Ellington/Gershwin/Nestico
My uncle George used to tell me when I was a kid that there would come a day when jazz would become like classical music: musicians doing formal interpretations of what once was improvisation. Is that a good or bad…