Every now and then we like to diversify our portfolio and see what the other parts of town look like. Anton Bruckner (1824-1896) tends to be overlooked these days, as the composer he’s most often linked with, Gustav Mahler, is the contemporary darling. Less, neurotic, more spiritual, Bruckner composed much sacred material as well as an impressive collection of symphonies. Number 7 is one of is best, displaying all of Bruckner’s character traits.
The 56 minute symphony has a wondrously dreamlike Allegro Moderato to open the piece, with rich strings and horns, even including the theme from a previous religious composition. Tubas introduce the funereal Adagio, which was a tribute to the soon to die Richard Wagner. The piece includes the dramatic crash that signifies the death of the influential composer, while the Scherzo has some wondrous whirliwinds with the strings. The Finale includes rich and triumphant themes, closing the piece in glory.
The thrill of developing themes reaching climaxes through strings, horns or percussion combined with rich harmonies is a fresh reminder of how early musical fathers still have much to teach contemporary ears.
Channel Classics