Playing a wide variety of horns, electronics and seemingly whatever is laying around, Collin Sherman creates an album of musical sound effects, almost like a reed equivalent of Morton Subotnick. Eerie modulations hover on “Glassine and Glycerin” and musical fur balls are coughed up on “Late Edition”. Ooga Chackas bounce around on “Dialectic Rejected” and feed back is fed back for “Hegemonic Virtues”. Tensile and static pulses mix with right angles on “Across Three Fields” electric currents hover on “Failed Deontological Promise”. Don’t listen to this near any water or you might get electrocuted.