It is with deep regret that I have to inform you that this is the final release of Zev Feldman’s discovered “lost” recordings of piano legend Ahmad Jamal. The first two sets that were released last year were like a balm in Gilead, reminding today’s generation how a piano player can be lyrical, cool, rhythmic and all his own.
This two disc set takes off from where the previous ones ended. The major difference here is that Jamal keeps the same trio intact throughout, consisting of Jamil Nasser/b and Frank Gant/dr. The recording at Seattle’s Penthouse is first rate in sound, and there is a slight change in style regarding Jamal’s touch.
Oh, he’s still as economical, sounding like a bopping version of Count Basie, playing notes at times as if he were paying for each one. But there’s a stronger touch in the fingers, and some clever accents that give hints of his Monk roots as on the kinetic “Fantastic Vehicle”. He’s also a master of sustaining the tension of a groove, digging in deep on “Mr. Lucky” and “Naked City Theme”. His intros are like baroque works of titian blue, effervescent on “Misty” and chiming for “Autumn Leaves”, while giving a glorious solo aria on “Emily” before conversing through the ivories on “Alfie”. The three work together seamlessly, creating rivulets of pulses that simply don’t let go. Jamal said volumes by saying less. Is it possible to wear out a cd?
The enclosed booklet includes interviews and chats with the likes of Les McCann, Monty Alexander, Emett Cohen and Joe Alterman, giving some insight to how wide the influence of Jamal’s style and attitude was. Timeless treasures.