There’s a health melding of exotic electronica as intros, outros or textures throughout, eventually serving as a contrast to the folk percussion and fragrant voice of Greco’s lyrical delivery. He’s reminiscent of Milton Nascimento in gravitas and texture in voice, bluesy on “Mr. Iwai”, and clever in a fugue like delivery with Khan and Brecker on “Onde’”. His rich sonority is supple as it floats around the electronica of “10th Avenue”, reflective around the elastic keyboards on the prismatic “Time”. There are also some quirky moments, like the layered “An Illusion” and the Nintendo’d “Mantra” that turns into a dream, with laughing sounds on “11-2”. Ambient soundscapes and Afro-Cuban tribal beats compete on “Belen” with some elastic and frisky piano getting dark on “Five Miniatures For Solo Piano”. The ideas bounce off of the album into your ears.