Just when you think you’ve heard every canary from the big band era like Helen Ward, Helen Forrest or Martha Tilton, Fresh Sound Records digs up the virtually unknown Linda Keene, who was the vocalist for bands including Jack Teagarden, Tony Pastor, Bobby Hackett and Lennie Hayton before teaming up with Henry Levine’s Strictly From Dixie Jazz Band.
As you can tell, for the most part Keene was associated with “traditional” sounding bands, aka “Chicago” or “New Orleans”, but, hey, this was the Big Band Era, so everything recorded had a swing feel to it. Keene has a tone in the warm school of Forrest and Tilton, easy on the ears for “Blue and Disillusioned” with Hackett (along with Pee Wee Russell/cl and Eddie Condon/g) and sounding comfy with Teagarden’s band on “a fun “Yankee Doodle” and “Terars From My Inkwell”. Hayton’s Orchestra, including guitarist Dave Barbour, has Keene in uptown swing form on “At The Starlight Hour” and the Ellingtonian “I Love You Much Too Much”. In 1941 she fronts Tony Pastor’s band, sharing the vocals with Dorsey Anderson on “cozy “For Whom The Bell Tolls”.
She spent a couple of years with Levine’s Dixie Jazz Band, giving an impressive read of “Georgia On My Mind” and sounding believable on “Someone to Watch Over Me”. A bluesy meeting with Joe Marsala’s Orchestra, which included Leonard Feather/p, Joe Thomas/tp and Chuck Wayne/g along with the clarinet leader, having Keene tap into her inner Peggy Lee on “Unlucky Woman” and “Blues In The Storm”. Most fun and modern is her stint with trumpeter Charlie Shavers in a smaller unit, and Keene sounding delightful on “Gee Baby, Ain’t I Good To You” and a drenched “Blues On My Weary Mind”. A spartan early 50s session with guitar and piano has her in a rowdy mood for “Muddy Water” and out Sinatra-ing Sinatra on “One For My Baby”. Included are all of the session notes, and a great booklet giving you some background on this lady. How did we miss this?