Bright toned alto saxist hails from Ireland to deliver some free wheeling trio work with his team of electric bassist Derek Whyte and drummer Jason McNamara. The originals have a spontaneous feel to them, with a mix core of bebop that eventually stretches out with Nolan searing over the rumbling rhythm team on “Roll The Dice” or “Soundtrack”. Nolan likes creating effects with his mouthpiece, gasping on the rubato that builds up into a growl on “Volcanos”, fuzzy as a fur on the curdling “Abandon Notices” and swirling around on the flailing “Protests”. The team scatters like water in a dropped pitcher on the subtle to screaming “We Can Go Separate Ways” while sounding like tail chasing gog for “We Can Be United”. Sponaneous combustions.