There have been a plethora of books and films about Miles Davis. This 110 minute documentary by Firelight Films, directed by Stanley Nelson, is possibly the most comprehensive, clear and easily the most musically satisfying.
Originally shown at the 2019 Sundance Film Festival, it’s now available on dvd (along with a hip musical cd which we’ve previously reviewed) and is one you’ll go back to over and over. It was put together with the help and blessing of Miles Davis’ estate, including interviews with son Eric and nephew Vince w ho gave access to not only previously unseen concert footage, but loads of intimate home made films which captures a side of Davis never before observed.
The film essentially chronicles Davis’ life from his birth and childhood (including interview with neighbors and friends) all the way through his education, musical schooling and eventually tracking down Charlie Parker to become part of the Bebop movement. Musically, the journey satisfyingly takes you through each musical mountain, even including his soundtrack for the French film Ascenseur Pour L’echafaud with insight from the Gallic sidemen such as Rene Urtreger. Musicians, producers and managers ranging from Herbie Hancock, Jimmy Cobb, Ron Carter, Lenny White, Marcus Miller and Mike Stern, George Wein and Quincy Jones all share their experiences with Davis’ bands, while accolades by musicians such as Carlos Santana, Don Redman and historical perspectives by Gerald Early, Ashley and Farah Griffin keep the story moving forward.
Most intriguing of all is using the raspy voice of Carl Lumbly to read quotes from Davis, which are interspersed throughout the home films and photographs. Riveting are the segments with Davis’ first wife, Frances Taylor as she gives harrowing insight into the legend, the marriage, the drugs and the abuse. Interviews with other women in his life reveal a complex man who seemed to find solace mostly in pushing his musical direction forward. You’re simultaneously drawn into and repulsed from the complex contrast between brilliant artist and tormented man
What one walks away with is an appreciation of Davis’ devotion to his craft, but also a lingering collection of “what ifs” including if he had not gotten involved in drugs or experienced such racism in his life. Was it his torment that made him such a great artist? The film raises the question, with you the observer to connect the culture changing dots. It’s a fascinating detective story.