Courtesy of Oteil Burbridge
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A FIRESIDE
CHAT WITH OTEIL BURBRIDGE
I must
plead ignorance, but two years ago, ask me about the Allman Brothers and
the resulting response from me would have been "Sweet Home Alabama?"
But through a friend in the "industry" who is code named "a
little bird," I have become somewhat and I say somewhat in the loosest
way, a Grateful Dead listener. And as a result, I have been investigating
so called "jam bands" with some regularity and a day trip to
Amoeba provided me with The Allman Brothers Band's At Fillmore East, as
close to a jazz album as I've heard from what I would deem to be country
folk. But I am a misguided city boy and shit from Shinola is about as
much as my college educated ass knows anyway. Having said that Oteil Burbridge,
once you have heard some Dead and some At Fillmore East, didn't fall far
from the "jazz" tree. Burbridge's music is as close to "jazz"
is as blues is, in this city boy's opinion and damn the Man, music shouldn't
be in meaningless categories anyway. Before I break my soapbox from all
the weight on my shoulders, ladies and gents, boys and girls of all ages,
Mr. Oteil Burbridge, fresh off tour, unedited and in his own words.
FRED
JUNG: Let's start from the beginning.
OTEIL
BURBRIDGE: I started playing drums when I was five. The fact that I was
beating on everything in the house with whatever I could find and my parents
not being able to deal with that, so they bought me a snare drum. They
figured they would channel that energy in some direction. I think later
on though, my parents were always into the arts in general and had a lot
of instruments around the house, so there was always something to play
there. My parents were heavily into music listening wise and my dad actually
played flute a little bit. It has always been around. It was very familiar.
We all did piano and violin and I played bass clarinet for a long time.
FJ: One left turn and you could have been Eric Dolphy.
OTEIL
BURBRIDGE: Yeah, in fact, I remember my dad buying me a five album set
of Eric Dolphy playing bass clarinet (laughing). I think I was probably
eleven or twelve and wasn't really ready for it. That is the kind of dad
I had. When I was playing bass around seventeen and I had been playing
bass for about three years, I really got serious and wanted to do it for
a career and started thinking about whether I could actually do it for
a living.
FJ: Aquarium Rescue Unit, interestingly cryptic name.
OTEIL
BURBRIDGE: (Laughing) It came out of thin air. Col. Bruce used to change
the name of the band about once a week and when we got a record deal,
the head of the label said that Bruce needed to decide a name for this
band because they had to put it on the album and just off the top of his
head, he said, "Aquarium Rescue Unit," and that is what it was
(laughing). It has no meaning of any kind.
FJ: Col. Bruce, so no city folk are confused, wasn't really a colonel.
OTEIL
BURBRIDGE: No, but he was call Col. since he was about three years old
because all of his family, going back generations, were all military.
He was expected to be a colonel. I think his cousin is the youngest colonel
in military history. If I am not mistaken.
FJ: And ARU did the HORDE tour.
OTEIL
BURBRIDGE: The concept was that they didn't have any term called "jam
bands" or anything like that and there were all these bands that
played together on this same circuit that we now call the jam band scene
that didn't have a slot to fit in and so they said screw it and made their
own slot. Widespread Panic, Phish, and Blues Traveler pulled their heads
together and got their favorite bands together. They got us and I think
Spin Doctors. We were all friends and playing together anyway and so we
just made our own tour instead of waiting for the industry to figure out
what we are and give us a name.
FJ: You say "jam band" and people will think Jerry Garcia and
the Dead.
OTEIL
BURBRIDGE: When I think jam bands, I think Disco Biscuits or moe. To me,
the Grateful Dead and The Allman Brothers predates the jam bands. Gregg
Allman would bock at somebody calling The Allman Brothers a jam band.
But he also bocks at it being called a Southern rock band (laughing).
Jam bands is something recent. I think you could classify Phish or Widespread
Panic as a jam band and they classified ARU as a jam band because we played
with all those bands. The ARU was a psycho, bluegrass, funk, jazz band.
I think, fortunately, as much as I hate to label things, I certainly don't
consider the ARU of the Peacemakers a jam band, but I think the one good
thing about that term is that it leaves a lot of room than the term Southern
rock would or heavy metal. In the jam band category, you can have everything
from John Scofield to String Cheese Incident. Those are two extremes in
my opinion. To go from DJ Logic or Soulive or Medeski, Martin, and Wood
to some band that is noodling around trying to be like the Grateful Dead,
that is a good thing. It doesn't pigeonhole us as much as another label
would. If you think the Peacemakers are a jam band, well, that could be
anything. In some ways, I don't like being categorized that way and then
in other ways, I would much rather have that label than anything other
one.
FJ: And how did you get The Allman Brothers gig?
OTEIL
BURBRIDGE: I knew Warren Haynes and Allen Woody, the two guys we were
replacing were the only guys I knew. I didn't have any of their records
or anything like that. I have had a blast. I have really had a blast.
It has been fun and they have treated me well. We've had a chance to make
some really good music.
FJ: The lifestyle of a musician is a nomadic one and must get wearisome
after time.
OTEIL
BURBRIDGE: I was thinking just a couple of days ago that I just had seven
days in a row at home and before that, I only had three days and they
were not in a row since March. I thought that I really am a gypsy. In
some ways, it makes me tired, Fred, and then I realize that if I were
at home for any more than two weeks, I would really miss it. There are
other people I talk to that cannot conceive being away from home that
much. I guess God made me this way and so, ultimately, I guess it is what
is right for me. The only thing that frustrates me is my suitcase and
that whole ritual of packing and unpacking and living out of my suitcase.
The moving around part, I actually dig.
FJ: Why did it take you so long to do a record of your own with your Peacemaker
band?
OTEIL
BURBRIDGE: Yeah, I think it came out in '98. It was because I was getting
to do so much of my own music with ARU. In a way, the ARU was fulfilling
all of the stuff that I needed to do with my solo group because I wrote
so much of that stuff that we did. I wasn't frustrated and didn't feel
the need to do a solo record because I was doing all my tunes already.
I think what ended up happening was there were certain tunes that would
never get done with the ARU because it just didn't fit into that mold
and so I realized I had some other sides that really needed to come out
badly that were not getting fulfilled in the ARU. I wanted to record these
tunes and they weren't getting done, so I thought that I would put another
group together and do these songs. But that took years of playing with
the ARU.
FJ: And finally, your new release, The Family Secret.
OTEIL
BURBRIDGE: After doing the first one, I was really able to focus and pinpoint
much more of what I wanted to do. The next album will probably be even
more focused than this one. John Snyder has already blocked out some time
in the studio for this year. We will be heading back in the studio to
do some more stuff soon. The new album, especially with Snyder's whole
concept of DVD is completely awesome. I am totally thrilled by it. It
is something I never really thought of to do. It really helps people see
what the Peacemakers really are and what we are like on the road. You
get something more than just the audio picture of what we are. You get
to see the personalities of the guys. I think that is really cool. I am
touring a lot. Whenever The Allman Brothers is off, I am doing Peacemakers
touring. I prayed for this for years. I prayed for God to let me be busy
and travel and now all that stuff and in most ways, I am grateful for
it. I am really glad. I remember sitting at home hoping I would get a
call so I could make my rent. I am really happy. In my life, things could
be way worse. My life is so good, I feel guilty about it. I am blessed.
I really do think about poor people in America, in Alabama that don't
have running water. There are a couple of families that we help out that
are so poor and I think why am I so blessed in all kinds of ways. I don't
know how much of it we earn or how much of it is God's grace. Either way,
I have it good. I try to do something good with it.
Fred Jung is the Editor-In-Chief and is Wang Chunging tonight. Comments?
Email Him
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