Composer Roger Reynolds boasts a wide variety of penmanship in this double disc of music that ranges from classical to ambient. All of the pieces range from 20-32 minutes, so there is a lot of room for atmosphere. Pablo Gomez Cano brings his guitar to team up with computer musician Paul Hembree for a mix of guitar effects, flamenco moods and harrowing spaciousness on the sonic wallpaper of “Dream Mirror”. Modern classical with a dash of Tchaikovsky is displayed by violinist Irvine Arditti teamed up with Hembree for “Shifting/Drifting” that includes some wondrous soloing on the strings. Scratched cymbals, vibes, hand clapping and a voice that speaks and huffs make up the percussive sounds by Steven Schick during the marathon “Here and There” with “Sketchbook” featuring Liz Pearse accompanying herself on the piano and adding electronic processing as her operatic voice has her speaking like Miss Havisham, holding her “s” and “n” in rhythmic enunciation and feeling like you’re in a scene from Great Expectations. An artist searching for new lands.