The debut album by alto saxist and composer Immanuel Wilkins ushers in a new generation of artists and attitudes. Pianist Micah Thomas, bassist Daryl Johns and drummer Kweku Sumbry are all fairly new names under the sun, along with the bright toned leader, and the song titles reflect what is dear to the heart of this generation, along with musical creations as well.
A number of the songs have titles about America’s racial history; while personal opinions may vary about the truth behind the Ferguson death and riots, the music behind “Ferguson-An American Tradition” is a rich and thoughtful dark reflection on the event, with Thomas’ piano intro leading into harrowing side streets. There is no controversy over the history behind the lynching of Mary Turner, and her piece his complex and dramatic, with Wilkins’ alto howling in agony.
“The Dreamer” has a frothy reed rich in texture over the rich bop lines, while Wilkins is lyrical and hopeful on “Grace and Mercy”. A four-part suite includes breathy haze on the rubato on the somber “The Key” with graceful cymbals by Sumbry guiding along “Saudade”. Most intense are the final two parts, with Sumbry giving a solo lead into the passionate “Guarded Heart” before Thomas solos into a charging rhythm team for a dramatic modal “Omega”. Lots to listen to, and lots to discuss.