Test cover page

Welcome!

 

THIS MONTH WE
                                               INTERVIEW
       TWO SAX PLAYERS WHO        SUCCESSFULLY HAVE MIXED                        JAZZ WITH 
          VINTAGE AND MODERN                              R&B,   
           DON BRADEN AND   
                                                         DAVE MCMURRAY 
IN THE INTERVIEW SECTION
Check out my review of this rich album by Alex Lefaivre
Check out this swinging and modern album by pianist/composer Eva Novoa
Here’s a link to our review:
http://www.jazzweekly.com/2018/08/eva-novoas-ditmas-quartet-live-at-ibeam/
Trust me, there is no cooler singer than Tony Adamo. His latest album with legendary drummer Mike Clark is a funk fest!!

Here’s a hip ep by a new group that mixes sleek swing with modern thoughts.
 
They’ve got some hip videos as well:
You can check them out at https://zooberries.bandcamp.com/
******
 match the pictures below with their upcoming gigs in the “HEADS UP” section…

“ROLL OUT THOSE HAZY, CRAZY, LAZY DAYS OF SUMMER”

 

 

 

Thus sang Nat “King” Cole, and few songs capture the mood of the Dog Days of August.

Most of us are either still on vacation, or just starting to get back into the return of the school year, which still seems like blasphemy to begin in August.

Traditionally, August is the month where most Americans try to find a place to unplug, cool off and read a few books to get physically, mentally and spiritually rejuvenated. My family just got backfrom spending time in a cozy old cabin along the North Shore of Lake Superior. We have an annual routine where we hang by the giant lake, do a few trails, ride bikes, jump into a lake or ride a canoe and  play board games at night to the sound of the rippling waters of Lake Superior. We also make our annual treks to our favorite family run restaurants, which serve things like smoked salmon, frozen custard, Goober burgers (that’s a Juicy Lucy with grilled onions, peanut butter and mayo!), rhubarb pie (which, for an extra $2 you can have thrown into a blender with ice cream and have an unbelievable milk shake), and, last but not least, “puff tacos.” Please don’t ask!

As the Bible says, “To everything there is a season, A time for every purpose under heaven.” We need a time to work as well as a time to rest, in order to restore ourselves to do more work. Your attitude about life can be summarized in how you answer a simple question, “Do you work in order to rest, or do you rest in order to work?”

I ask this, because if your only purpose in working is to rest for 2 days, you are going to have a frustrating life, as there will never be enough rest for you, and you may spend the entire work week dreaming of your “wild weekend.”

However, if you rest in order to be more productive at work, you can see purpose in your time off. You read books, see movies, take walks, see friends etc, in order to equip yourself to be of better use in your vocation. This is why summer is so important; it gives us all a chance to get rid of our computers, iphones and other “necessities” to remind ourselves what’s really important in life, namely relationships. Both with our fellow man (or woman) and with our God.

I always come back from these trips with a deeper appreciation of my wife, my kids, and now, my grandkids, and the discussions we have about life, God, our purpose on this planet are simply the things that make life worth living.

What does this have to do with jazz? ARE YOU KIDDING?!?

First, I like to use summer as a time to simply turn off all media. Let’s just clean out the old carburetor in order to look at what I’m listening to or watching with a new perspective. Then, when I start getting back into music, I’ll get into the basics, Armstrong, Ellington, Hines, Powell, Hawkins, and most of all for myself, Lester Young. I just sit with my sax and go over  transcriptions of his wonderfully swinging solos and remember why I fell in love with jazz in the first place.

This month we feature interviews with two sax players that get back to the basics of jazz. Don Braden discusses his approach to vintage soul sounds of Stevie Wonder and Earth, Wind and Fire, while David McMurray talks about his funk days and how it influenced his first wonderfully wild debut album.

So, go back to an old book that used to be your friend, take in a vintage movie, or pop in a Jazz Messenger album. Get rid of the clutter and look at music, literature and culture with a rejuvenated spirit.

As the wisest man in the world, Solomon wrote, “God has made everything beautiful in its time…for there is a time for every purpose and every work.” Take the time this summer to discover  your purpose!

We get feedback from readers: 

Hi Jazzweekly,

Greetings George-

     Just read your review ( https://www.jazzweekly.com/2018/07/black-art-jazz-collective-armor-of-pride/ ) of “Armor of Pride”…You clearly took the easiest way out while attempting to assess the band  name. It’s really quite simple, we’re six Black musicians embracing our art. That we play “Jazz” only speaks to the genre which we’re representing. If we were playing Death Metal, for example, it would have been: Black Art Death Metal Collective.
…In closing your review, you seem to be interested in having a dialogue about “musical identity”. I might suggest that you should have reached out to any of us to get answers to your questions before beginning your review with such a tone. I trust you’ll be more discerning should the opportunity to arise again.
Kind Regards,
Jeremy Pelt
************
Dear George,
(Regarding your review of our latest Black Art Jazz Collective album):

 There is only one kind of Jazz with its origins coming from African Americans and played and embraced by all races, creeds and cultures. This is a point I have to make routinely when traveling the world and I get questions in Ukraine like “So what do you think of Ukrainian Jazz?” This goes to the point as to why WE believe there should be a Black Art Jazz Collective and are unapologetically proud of to be so.

**********

Wayne Escoffery

Lecturer in Jazz Improvisation
Yale School of Music
This is Benjamin Boone, whose CD THE POETRY OF JAZZ you reviewed in JAZZ WEEKLY.
Thank you for all you do for promoting jazz! I appreciate you!

Musically yours-

Dr. Benjamin Boone
Fulbright Scholar, University of Ghana
 **********
Hello Friends!
 I want to congratulate you for your excellent website and good taste in the task of promoting our beloved music.
Horacio Martinez
************
Hello Jazz Weekly,
I recently discovered the Jazz Weekly,
Wanted to say how much I loved it
JaRon Eames
************
Hi George,
Thank you for posting Lafitte and de Villers. I’m glad you like them.

By the way I read your nice article Sweet Sounds of the Alto Sax. I knew Al Gallodoro by the name, but after reading your opinion I’m curious to hear him.

All the best,

Jordi Pujols

Fresh Sound Records

 ************

Hi George,

Capri Records, Tom Burns, forwarded your kind words as the trio boards the Jazz Cruise today. I wanted to take a minute to thank you for your comments.

Sincerely,

Jeff Hamilton

 ************

Verily, verily, George, my resolution is to listen to more jazz in 2018, beginning with your top ten list of favorites. Thanks for the distinction between “best” and “beloved,” btw. I emphasize that difference all the time in rock.

Tim Philen
******
George
OMG!!
Thanks for that amazing review in JazzweeklyYou nailed exactly what-we set out to do in song choices and arrangements
We tried to bring a fresh approach as well
But anytime someone puts me in the same space as Don Cornelius get a Huge hug from me!!!!
Again, many many thanks !
Kathy Kosins
**********

Leave a Reply


Notice: Undefined index: share_counts in /hermes/bosnacweb09/bosnacweb09az/b2478/sl.jazzweek/public_html/wp-content/plugins/simple-social-buttons/simple-social-buttons.php on line 477

Warning: Illegal string offset 'share_counts' in /hermes/bosnacweb09/bosnacweb09az/b2478/sl.jazzweek/public_html/wp-content/plugins/simple-social-buttons/simple-social-buttons.php on line 477

Notice: Uninitialized string offset: 0 in /hermes/bosnacweb09/bosnacweb09az/b2478/sl.jazzweek/public_html/wp-content/plugins/simple-social-buttons/simple-social-buttons.php on line 477