
His touch on the Steinway is strong, dark and confident, and his left hand gives hints to the pulse on pieces such as “Groovin’ High” and “Yardbird Suite” while his right hand creates Stravinsky-styled extravaganzas and harmonies. He’s gloriously angular and elliptical on Monk pieces “Blue Monk” and the stark and foreboding “’Round Midnight” while celebratory on Bud Powell’s “Un Poco Loco.” Cerebral and sophisticated, Solal puts starch into Charlie Parker’s suit.
Fresh Sound Records